CATALOGUE OF THE EXHIBITION - ITEMS 222 TO 233
Titles with the mark solid diamond denote titles of the series while the mark open diamond denotes the sub-title. Those titles without any mark are the additions of the compiler of the catalogue.

Exhibitors
 
solid diamond
IMAYO MITATE, SHI, NO, KO, SHŌ. The Four Classes: Samurai, Farmers, Artisans and Merchants.
 
222.
open diamond
UWO-YEI NO MISE. Prints Store styled Uwo-Yei.
This is Toyokuni III.'s work showing a shop selling Hiroshige's Hundred Views of Yedo, and was put on view in the exhibition for the sake of reference. Sanmai-tsuzuki. Published by Uwo-yei.
Mr. R. Hirakawa
 
 
solid diamond
SHOKOKU MEISHO. Views of Various Provinces.
 
223.
open diamond
FURIWAKE Ō-SUGOROKU. This is a large-sized print named Sugoroku used by children to play a game on by means of a dice.
Mr. M. Uchida
 
224.
 
PAPER-HANGER'S SHOP, drawn to order of the shopman by Hiroshige and printed on tōshi (Chinese paper). Oblong in size.
Mr. T. Hirose
 
open diamond
AWA NO NARUTO. Rapids at Naruto. Sanmai- tsuzuki. Published by Tsutaya.
Mrs. Y. Yamamoto
 
open diamond
BUYŌ KANAZAWA HATSHŌ YAKEI Evening Scenes of Eight Views of Kanazawa. Sanmai-tsuzuki. Published by Tsutaya.
Mr. R. Ishii
 
open diamond
KISOJI NO SANSEN. Kiso Mountains in Snow. Sanmai-tsuzuki. Published by Tsutaya in 1857.
These three form a set of Snow, Moon and Flowers, as the Naruto Passage with its swirling waves was called the Flowers of Naruto. They are Hiroshige's masterpieces in his declining years.
Do.
 
228.
solid diamond
TŌKAIDŌ HARIMAZE ZUYE. Mixed Prints of Tōkaidō. 12 sheets in a set. Published by Ibasen (japanese text).
Harimaze Zuye is more of designs than of mere representations of objects. Hiroshige's are especially skilfully rendered. On a plate of Ō-ban size, there are represented four or five prints of simple style showing a town, famous local products or sceneries, or subjects of some historical stories. This series consists of 12 sheets containing 55 prints. There are two other harimaze Tōkaidō of similar style. In the above series Nihonbashi is represented by fish, Shinagawa by women picking sea-weed and Kawasaki by peach blossoms.
Mr. T. Suzuki
 
229.
solid diamond
TŌKAIDŌ HARIMAZE ZUYE. Mixed Prints of Tōkaidō.
This is similar to No. 228 in style and consists of 14 sheets. In this series, Nihonbashi is represented by bronze works on Nihonbashi Bridge and Shinagawa by a woman holding a paper lantern. Published by Senichi (japanese text)
Mr. T. Suzuki
 
solid diamond
KUNIZUKUSHI HARIMAZE ZUYE. Mixed Prints of Grand Series of the Provinces.
This is similar to No. 228 in style and is complete in 18 sheets containing 68 prints. Two of the sheets are illustrated. (See Plate No. 80.) Published by Fujikei (japanese text) in 1852.
Do.
 
solid diamond
TŌKAIDŌ GOJŪSAN-TSUGI HARIMAZE ZUYE. Mixed Prints of the Fifty-Three Stations on the Tōkaidō.
This is similar to No. 228 in style and consists of 15 sheets containing 55 prints. Published by Yamaguchi (japanese text) in 1856.
Mr. M. Uchida
 
 
solid diamond
YEDO MEISHO HARIMAZE ZUYE. Mixed Prints of the Views of Yedo.
This is similar to No. 228 in style and consists of 10 sheets. (See Two Illustrations, No. 231 Plate 80.) Published by Yamadaya (japanese text) in 1857.
 
 
 
solid diamond
ŌYAMA DŌCHŪ HARIMAZE ZUYE. Mixed Prints of the Highway leading to Mt. Ōyama Shrine.
This is similar to No. 228 in style and consists of three sheets.
 
 
232.
solid diamond
ŌMI HAKKEI. Eight Views of Ōmi.
This contains the same eight views as No. 57. Ō-ban Yokoye. Those illustrated are Pine tree at Karasaki and Vesper Bells at the Mii Temple. Ō-ban Tateye. Published by Uwoyei in 1857.
Mr. H. Tsunajima
 
233.
solid diamond
FUJI SANJŪ ROKKEI. Thirty-Six Views of Mt. Fuji.
This series was censored in April, 1858 but was not put on sale until the following year, and then issued as his memorial prints. Ō-ban Tateye. Published by Tsutaya.
Mr. K. Hayashi